Sunday 24 February 2013

Salon Tuesdays - a musical haven in the midst of the city




Sarah Gabriel and Oliver Gerrish


Frodo and Titania...

Soprano Sarah Gabriel and I set up Salon Tuesdays at The Georgian Group three years ago with an inaugural concert with Christopher Suckling's Abbandonata. We performed to a full house and it was a thrill for the three of us to be reunited after we had met some months before when Christopher directed Hasse's Artaserse, in which Sarah played Mandane and I the evil lead Arabano. It was wonderful to have a chamber instrumental ensemble of such calibre in the Georgian elegance of Number Six Fitzroy Square.
During this concert we performed rarely heard cantatas by Handel and Corelli sonatas.

Sarah Gabriel rehearsing a mad Handel cantata with Chris Suckling playing and directing


Abbandonata - minus director/cello Chris


Harpsichordist Erik Dippenaar


These Robert Adam rooms were tailor-made for this sort of music and have now had more musicians in them in the last three years than probably for over a hundred years before that. In the winter the candles are lit, the tree decorated and the atmosphere is cosy, in the summer the sun streams through the fourteen foot high sash windows and illuminates the grand rooms.

Oliver Gerrish, Sarah Gabriel and Erik Dippenaar


Harpsichordist Nathaniel Mander

Bass Matthew Altman, Nathaniel Mander, Sarah Gabriel, Oliver Gerrish and tenor Ben Fleetwood Smyth


Since forming Salon Tuesdays with Sarah we have had the honour to perform alongside some of the best musicians of our generation; harpsichordists Erik Dippenaar, Nathaniel Mander, Christopher Bucknall and Oliver-John Ruthven, trumpeter Simon Desbruslais, violinists Oliver Webber and Davina Clarke, amongst others, tenor Ben Fleetwood Smyth and countertenor Raffaele Pe...to name just a few of them.



Harpsichordist Oliver-John Ruthven


Violinist Davina Clarke makes order out of disorder!


Countertenor Raffaele Pe giving some rest the thumbs-up!


Countertenors Oliver Gerrish and Raffaele Pe


Raffaele Pe - Italian singing and fashion from Milan!


Oliver Gerrish - hoping the garish tie will take people's attention away from some of his Italian!!




Sarah Gabriel and harpsocordist Chris Bucknall


Pre Salon Tuesday's Christmas Concert 2012




Trumpeter Simon Desbruslais




Salon Tuesdays, I hope, combines music, setting and socialising to create an evening quite unlike most in London. There is no starchiness; here is real music, freshly presented in a building built for chamber ensembles.



ENCORE!!





The next Salon Tuesday is on Tuesday 26th February at 7.30 pm, 6 Fitzroy Square, London, W1T 5DX. It will feature Soprano Philippa Murray, countertenor Oliver Gerrish and harpsichordist Katie De La Matter.

Tickets on the door: £20, £15 for Young Georgians (includes some wine!)

For more information about the Georgian Group please go to www.georgiangroup.org.uk


                        All images in this blog are under the copyright ownership of Oliver Gerrish



Monday 11 February 2013

Cathedrals, Churches and Chalets

           An architectural dash across France to the Swiss Alps...



        After an early start in sodden London and a dash under the Channel we arrived in a less wet, but even colder France. I had always been interested by the silhouette of the distant Basilica of St Quentin, a huge mountain-like building soaring ominously in the distance. The journey had been long enough already for a stop so we turned off the payage and proceeded through the ugly outskirts of St Quentin, once the great Mediaeval city par excellence of Picardie. It turns out that this wonderfully grand and imposing church was nearly destroyed completely in the First World War, so it was quite a shock to see it looking so perfect and serene.
  
The Nave looking eastwards

Inside there is an M R James-like quiet and other-Worldly calm to this spiky Gothic building. The silence is full of ancient whispers and one expects to hear a distant thin metallic laughter from high up in the Triforium!


The great Baroque organ case above the west arch

This place is Huge! For me it was like being a child in a sweet shop...an empty, vast Gothic box of delights filled with treasures like the hand of St Quentin, a great sculpture of St George with a head modelled on King Louis XIV and the finest Baroque organ case in Northern France. If any church is worthy of a spectral organ recital, this is it!



If one wants to have the thrill of a great French Gothic church with none of the tourist rails and barriers go to St Quentin. This church has been through enormous trauma, but it still stands, almost impossibly tall restored to its original splendour wooing motorists off  the endless payages of Picardie!

The triforium and clerestory of the chevet at St Quentin


                        The Eastern Chapels of the chevet

The next stop was nearby Laon Cathedral, arguably the finest early Gothic Mediaeval Cathedral in France, if not Europe. Unlike St Quentin, Laon was not bombed to to its foundations and it looks like an ancient French hill-top City should do; great curtain walls, tiny winding streets, squares and, dominating all around, the great Cathedral of Our Lady with no less than five soaring towers of a projected seven. Lifesize stone animals gaze down from hundreds of feet in the air and the silhouette of this utterly extraordinary building is nothing short of Baroque in its sheer exuberance.


The West Front of Laon Cathedral


                     The West Towers with a holy herd!

 On entering Laon Cathedral one is brought back down to earth, as the proportions are comfortable and perfect. The stone is honey coloured and the architecture is the finest it can be...this is a Rolls Royce of a building, even the Triforium is vaulted beautifully in stone and the transepts have their own mini transepts under their own twin towers. Renaissance facades, like the most exquisite mini streets, mask the little chapels which form a continuous sequence around the cathedral.

             The Choir and East End with lancets and the Rose Window

 





               The Renaissance facades of the Side Chapels at Laon

The Choir and Chancel, entered beneath a black and gold Baroque screen, culminate in a great rose window and three lancets and a flat, rather than a typically semi-circular apsed, east end. Laon is a masterpiece of a building and really like no other Cathedral I have ever visited. It is hugely grand, displaying the finest possible craftsmanship and has a magic and energy to it that falls nothing short of marvellous.


                   Vauclair Abbey - abandoned and deep in snow
  
Nearby Vauclair Abbey, hidden deep in trees, is at the other end of the spectrum as there is very little left apart from the unmistakable atmosphere of an ancient Religious settlement. Fish ponds, broken walls and the tall remains of a dovecote are all that is left of a once huge building and the centre of an entire community.

One cant help but reflect upon the different fates of these three buildings; the first rescued from almost certain ruin, the second gloriously commanding its hilltop site as it has done for nearly a millennium and the last a mere footprint of what it was.

Now fast forward a few hundred years and a few thousand feet and in to the Alps!

                         A modern chalet in the Swiss Alps

Like most indigenous architecture which has grown out of working alongside the natural environment , Chalet architecture is home-grown and unmistakable in its style. As I sit in a luxurious modern chalet writing this while the snow and wind howl around outside I am reflecting on the traditional style of this particular house, with its timber construction, balconies and great sloping roofs. Like the Churches discussed Chalets have also followed an architectural form and the variety of decoration is as varied as the Alpine weather.

An old Alpine farmstead


An old chalet, built to stand the weather all year round with sparse architectural decoration


The modern chalet grew out of the old Alpine farmstead, with its house with huge wide eaves and accommodation for man and beast. Where there was once a cow stall there is now probably a sauna, but nonetheless, modern conveniences have been fitted in to age old sensible design. The herders, whose houses these would have been, would bring their cattle up to the high ground in the Summer months and spend weeks making cheese and butter to preserve the milk. The modern chalet girl/boy doesn’t know how easy their lot is!
  
An Art Nouveau style staircase in a very modern chalet


Gothic quatrefoils and other detailing on Chalet Godfrey in Les Crosets, Switzerland




From holiness to holidays, architecture is alive and well in France and Switzerland from sea-level to glacier!






If you are keen to stay in a modern but very traditional Swiss Chalet please go to:



                        All images in this blog are under the copyright ownership of Oliver Gerrish